PORTFOLIO
PORTAL (2018)
Exhibiton view "Portals" at Akademie Galerie Nürnberg
Portals are symbolic of transition.
They manifest the idea of other worlds, impossible for this world. Portals stands for ordering role in society and also the promise of being able to enter them.
In Portals, Steve Braun and Federico Braunschweig show the different outgrowths that the ideas of other worlds take on and how they are conditioned by portals.
They work on a monumental scale, using a wide range of media and techniques and drawing on forms between science fiction and antiquity. Escapist dream meets apocalyptic nightmare. Sacral forms such as portals, obelisks and altars are neglected or misappropriated.
The result is a space in a vacuum that addresses a disturbed relationship to the transcendent, at the interface between this world and the hereafter, where it is not yet decided which projection to believe.
PORTAL (2018) - Installation view,
Plaster, MDF, wood, linen, blueback-print, metal
we’ve built portals
we’re not sure where they’ll take you
or if you’ll ever come back….
take the chance
step through
enter the beyond
OPEN THE GATE (2018)
Slide installation, Exhibition view “Portals”
ENTER THE BEYOND (2018)
Video stills sequence “Krieg”, "Trieb","Ritual"
SCHREIN I (2018)
120 × 130 x 10 cm,
Plaster, wood, fabric, print on canvas
FRACTURED (2018)
160 cm x 100 cm Material: Plaster
"The shrine of the honorable merchant" by Braun & Braunschweig How should we act? What is right, what is wrong? The human being as a social being meets different actors every day. When asked how to act, this question already conceals "trade", i.e. "economic activity" as such. "The Shrine of the Honourable Merchant", a sculpture by the artist duo Braun & Braunschweig, clearly demonstrates the moral compass of economic activity. Usually shrines are found in altars or sculptures and contain the bones of saints. Small shrines can be found not only in churches, but also on the corners of houses, streets and paths. They often contain statues of patron saints, which are connected with the cultural and religious history of their place. Also "The shrine of the Honourable Merchant" is directly related to its place of exhibition. The shrine has a height of over 2 metres and is crowned by a sun and moon top. Hundreds of small, purple tiles line the exterior of the shrine. The four niches in the upper part of the shrine are tiled black. The dark monumentality of the shrine thus draws attention to the "relics" of the economy in the niches. Four white casts shine brightly in the dark niches and symbolise the two dualities that are exemplary for the world of business. The gestures of giving and taking, as well as of oath and breaking of oath contain fundamental questions of "trade(s)" with each other: profit and loss, plus and minus, contract and the breach of contract, the promise and its failure to keep.
Text: Marius Nüsslein
SHRINE III (2019)
ceramic, concrete, print on paper, wood, plastic, metal, glass 230 x 80 x 80 cm
PORTAL (2018)Exhibiton view
"Portals" at Akademie Galerie Nürnberg
SCHREIN II (2018)
120 × 130 x 10 cm,
Plaster, wood, fabric, print on canvas
SCHREIN II (2018)
120 × 130 x 10 cm,
Plaster, wood, fabric, print on canvas